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    The Light in the Hallway (ARC)


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      A DVA NCE R E A DER’S COPY — U NCOR R EC TED PROOF

      PRAISE FOR THE COORDINATES OF LOSS

      ‘An emotion-packed tearjerker.’

      Woman and Home

      ‘A thoughtful and sensitive read, well recommended.’

      Woman’s Way

      ‘We loved this raw depiction of motherhood tested to

      the limit.’

      Take a Break

      PRAISE FOR AMANDA PROWSE’S OTHER

      BOOKS

      ‘Amanda Prowse is the queen of contemporary family

      drama.’

      Daily Mail

      ‘A tragic story of loss and love.’

      Lorraine Kelly, The Sun

      ‘Captivating, heartbreaking and superbly written.’

      Closer

      ‘A deeply emotional, unputdownable read.’

      Red

      ‘Uplifting and positive, but you may still need a box of

      tissues.’

      Cosmopolitan

      ‘You’ll fall in love with this.’

      Cosmopolitan

      ‘Warning: you will need tissues.’

      The Sun on Sunday

      ‘Handles her explosive subject with delicate care.’

      Daily Mail

      ‘Deeply moving and eye-opening.’

      Heat

      ‘A perfect marriage morphs into harrowing territory . . .

      a real tear-jerker.’

      Sunday Mirror

      ‘Powerful and emotional drama that packs a real punch.’

      Heat

      ‘Warmly accessible but subtle . . . moving and inspiring.’

      Daily Mail

      ‘A powerful and emotional work of fiction with a unique

      twist – a practical lesson in how to spot a fatal, but often

      treatable disease.’

      Piers Morgan, Good Morning Britain presenter

      ‘A truly amazing piece of drama about a condition that

      could affect any one of us in a heartbeat. Every mother

      should read this book.’

      Danielle Bux, actor

      ‘A powerful and emotional page-turner that teaches people

      with no medical training how to recognise sepsis and

      save lives.’

      Dr Ranj Singh, paediatric doctor and BBC presenter

      ‘A powerful and moving story with a real purpose. It brings home the dreadful nature of this deadly condition.’

      Mark Austin, Sky News presenter

      ‘A festive treat . . . if you love JoJo Moyes and Freya

      North, you’ll love this.’

      Closer

      ‘Magical.’

      Now

      ‘Nobody writes contemporary family dramas as well as

      Amanda Prowse.’

      Daily Mail

      THE LIGHT IN THE HALLWAY

      O T H E R B O O K S B Y A M A N D A

      P R O W S E

      The Girl in The Corner

      The Coordinates of Loss

      Anna

      Theo

      How to Fall in Love Again: Kitty’s Story

      The Art of Hiding

      The Idea of You

      Poppy Day

      What Have I Done?

      Clover’s Child

      A Little Love

      Christmas for One

      Will You Remember Me?

      A Mother’s Story

      Perfect Daughter

      Three-and-a-Half Heartbeats (exclusive to Amazon Kindle)

      The Second Chance Café (originally published as

      The Christmas Café)

      Another Love

      My Husband’s Wife

      I Won’t Be Home for Christmas

      The Food of Love

      O T H E R N O V E L L A S B Y A M A N D A

      P R O W S E

      The Game

      Something Quite Beautiful

      A Christmas Wish

      Ten Pound Ticket

      Imogen’s Baby

      Miss Potterton’s Birthday Tea

      THE LIGHT IN THE

      HALLWAY

      AMANDA PROWSE

      This is a work of fiction. Names, characters, organizations, places, events, and incidents are either products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

      Text copyright © 2019 by Amanda Prowse

      All rights reserved.

      No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.

      Published by Lake Union Publishing, Seattle

      www.apub.com

      Amazon, the Amazon logo, and Lake Union Publishing are trademarks of Amazon.com, Inc., or its affiliates.

      ISBN-13: 9781542041171

      ISBN-10: 1542041171

      Cover design by Rose Cooper

      Printed in the United States of America

      1992

      ‘I asked my mum. She said no. And not just a regular no,

      but a no with her hand up.’ He pictured her serious face

      and pose, like a policeman stopping traffic. ‘That means

      a forever no and not an “I’ll think about it” no, which

      usually turns into a yes, eventually.’

      Ten-year-old Nick sat in the kerb outside his house and

      kicked his scuffed trainers at the softening tarmac floor

      warmed by the hot sun, huffing at the injustice of it all.

      ‘She said she had asked my dad and he said he wasn’t

      about to go into debt just so I could have a bike.’ Nick

      had heard his father before on the topic; it made his face

      red and his nostrils flare. Debt provides the right level of worry to send a working man to an early grave. I saw it rip my parents apart and it’s a state in which I will never live. Better to go without than go into debt. Mark my words…

      Nick wasn’t sure he agreed with this, figuring that to

      have a bike would be the best thing in the whole wide

      world, early grave or not.

      Alex, his classmate, folded his arms across his faded

      Alvin and the Chipmunks t-shirt and bounced his small

      rubber ball repeatedly on the same spot, catching it with

      one hand. The sound was both captivating and irritating.

      ix

      Amanda Prowse

      ‘Well, my mum said if we could afford things like bikes

      then she wouldn’t be pulling extra shifts at the Co-op

      and stacking shelves when she’d rather be at home with

      a cup of tea and her feet up, watching Corrie.’

      Eric, the third member of this esteemed yet nameless

      gang, whose Yorkshire twang was the strongest, sighed

      and looked from Alex to Nick. ‘My mum said get out of

      the sodding kitchen you little bas’tad and then she threw a

      potato at me.’ He let this sink in as their snickers burbled.

      ‘I’m taking it as a maybe.’

      As ever, Eric, their sharp-witted friend, was able to

      turn the upset of having asked and been denied the one

      thing they truly wanted – bikes – into something hilari-

      ous. Nick was in awe of how his lanky mate trotted out

      swear words and funny responses, unafraid to answer back

      at a particular volume from the side of his mouth, which

      meant adults didn’t always hear but he and Alex always did,

      making it a battle to keep those giggles in and their faces

      straight until they were ab
    le to explode. This was one of

      Eric’s skills. This and his enormous capacity for food; they

      called him the ‘Human Dustbin’, and how much he ate

      was mightily impressive. It was the norm that Eric would

      quickly finish what he was eating, whether it be a bag of

      crisps, a school lunch or a biscuit, and then stare at him

      and Alex in the way a family dog might, watching with

      wide eyes and a mouth that quivered at the possibility of

      a share in the food Nick was eating. It was usually out of

      kindness or guilt that he would hand over at least a bite

      to Eric, who would be so happy, his reaction so grateful,

      it far outweighed the discarded morsel he had been cast.

      Nick was stumped. With a flat out ‘no’ from all parents,

      how were they going to get bikes so they could roam the

      moors, get from A to B with haste and, more important,

      x

      The Light in the Hallway

      circle the market square, looking casual while showing

      off to anyone who might be loitering? This particular

      mode of transport was, in Nick’s opinion, the one thing

      that shouted out, LOOK AT ME! I’M A KID WHO

      IS GOING PLACES! He clamped his top teeth over

      his bottom lip, as he did when he had to try to figure

      something out.

      It wasn’t fair. Life wasn’t fair! He hadn’t asked to be

      born in this small rubbish town in the middle of nowhere

      where there was only one rubbish cinema, one rubbish

      shop, no ice rink, something he had seen on television

      and was very keen to try, and no motocross club (ditto).

      In fact, the only places to hang out were the garage

      at his parents’ house, the Rec, Market Square and the

      Old Dairy Shed on the outskirts of town – a rather di-

      lapidated steel-framed barn, long abandoned and where

      the older lads and lasses went to go snogging. This he

      knew for a fact because he and his friends would sneak

      up from the east side and climb on an old crate to peer

      in on the shenanigans from the little window in the side

      where the glass had long been pelted away by forcefully

      chucked stones. There the three would stand and gawp,

      fascinated, offended and delighted by the moans, squeals

      and fumblings that took place on the cold concrete floor

      of the Old Dairy Shed, which was scattered with pigeon

      shit, discarded cigarette butts and old chip wrappers. On

      one occasion they had observed fumblings taking place

      up against the steel girder in the middle of the echoey

      space. Nick had loped home in silence, more than a little

      unnerved by this athletic feat. It didn’t seem right stand-

      ing up. Not that it seemed very right lying down either.

      The other place they liked to congregate was the long

      green-painted iron bench in Market Square. The bench,

      xi

      Amanda Prowse

      with its worn brass plaque to Albert Digby, the son of a

      farming family who had lost his life serving his country,

      carried a fiercely adhered to ‘hierarchy of occupancy’

      code. It was quite simple. Grown-ups took precedence.

      After them, if you were in the upper school the bench

      was yours, followed by junior school attendees and then

      primary school. But then there were caveats: boys who

      played football for the school team could oust just about

      anyone; the footie team players really were like mini ce-

      lebrities. Then there were the groups of girls who took

      ownership of the bench by dint of the fact that no one

      wanted to intervene, get too close or talk to the huddle.

      They were intimidating – a seething mass of flicked hair,

      cheap perfume and loud, loud laughter. Nick and his mates

      thought these huddles were glorious. Contained within

      were all the mysteries of the universe and the only two

      things they coveted and admired as much if not more than

      the racing bikes which eluded them: boobs. They found

      boobs fascinating and hilarious in equal measure. The

      sight of boobs was enough to transfix them, and hearing

      the word boobs enough to send them into paroxysms of

      laughter.

      ‘So, if our parents aren’t going to buy us bikes’ – Nick

      continued to ponder the dilemma in hand – ‘how are we

      going to get them? There has to be a way.’

      ‘We could rob some!’ Eric suggested enthusiastically.

      ‘Who could we rob bikes from?’ This seemed to be

      Alex’s concern rather than the illegality and immorality

      of the suggested act.

      ‘Dunno.’ Eric chewed his thumbnail. ‘Ooh!’ he shout-

      ed, jumping up in a lightbulb moment. ‘The postman.

      He has a bike!’

      xii

      The Light in the Hallway

      ‘That big red one with the rack on the front where

      he rests his postbag?’ Alex hinted at the rather distinct

      nature of the man’s standard-issue bike, the only one in

      the town. ‘I think people might notice if it went missing

      and we were doing wheelies on one very similar in the

      street!’

      There was a beat of silence.

      Nick stared at his mate. ‘Anyway, isn’t the postman

      your uncle John who lives next door to you?’

      ‘He’s not next door,’ Eric fired back. ‘He’s next door

      but one.’ As if this might be all the difference needed to

      give his idea the possibility of success.

      Nick and Alex exchanged a look.

      ‘You’re such a div, Eric!’

      ‘And you’re a knobhead!’

      And so it went, the trading of various insults that

      covered everything from mental impairment, physical

      defects and sexuality, all standard fare in these exchanges.

      ‘You’ve got a girl’s foo-foo instead of a willy!’

      ‘You’ve got a girl’s foo-foo, no willy and you wear

      frilly knickers!’ Eric retorted.

      The boys shouted ridiculously and raucously, as if

      volume were a big weapon in the war of words. Nick

      shook his head. Their verbal jousting might be funny

      but it wasn’t helping him figure out how they could get

      bikes. He sighed again.

      Life was not fair.

      xiii

      CHAPTER ONE

      ‘So, are you going to come with me, Oliver?’ Nick hated

      the hesitancy to his tone, torn between wanting to keep

      the question casual and not alarm the boy, but at the

      same time feeling the pressing need to leave, knowing

      this was it. The sole reason for his return home was to

      try to encourage his son, give him the opportunity to be

      part of this. Thinking ahead and trying, as he had over

      the last few months, to eliminate any future regrets. Not

      only was this easier said than done, but he was now wast-

      ing precious time. He hovered in the bedroom doorway,

      certain Oliver had heard the question despite the dire

      electronic music that blared from the laptop. This was

      the second time he had asked in as many seconds. The

      fact he felt the need to repeat it suggested he was hoping

      for a different response the second time around.

      Oliver shook his head, his exp
    ression neutral but his

      jaw tense, gripped as ever by whatever game now flashed

      on the screen, the bright colours, pings, beeps and whistles, the modern-day equivalent to a pinball machine, the

      mastery of which was always infinitely more urgent than

      anything Nick might have to say.

      Even today.

      ‘I know you’re saying no, it’s just that…’ he began, not knowing how to finish.

      1

      Amanda Prowse

      His son looked up briefly from the laptop, balanced

      on his bony knees, holding him captive and to which he

      returned his gaze, almost daring his dad to speak again.

      ‘The thing is, Olly,’ he tried again, and again the

      words ran out. The roof of his mouth was dry and his

      tongue stuck there. He had never fully understood the

      phrase paddling like a duck beneath the water, but in that

      moment he did. He looked calm, his voice level and yet

      inside he was screaming.

      ‘I’m not going. I don’t want to.’

      ‘But they said—’

      ‘I’m not going, Dad! That’s it.’ Oliver’s tone was a

      little more forceful now.

      Nick took a deep breath and tried to recall the words

      Peter, the counsellor, had said during their last chat.

      ‘Try to remember that there is no right or wrong way to

      behave … Don’t force or coerce, because that’s the road to con-flict and neither of you need that on top of everything else …

      Remember that she is not only your wife, but she’s Olly’s mum too. Tread gently. Leave doors open, encourage, listen and try to understand that this is everyone’s personal journey and everyone takes a different route. Be ready to prop him up when he most needs it, and if it’s at a time when you most need propping up that’s when it can seem hardest…’

      ‘Okay.’ He nodded, tapping his wedding ring on the

      door frame. ‘Okay, son. But if you change your mind,

      I’ll be leaving in a few minutes.’

      ‘I won’t change my mind.’ Oliver worked his fingers

      on the keys at double speed and bit his bottom lip.

      Nick left the bedroom door ajar and, having neglected

      to do so that morning in a mad rush to leave the house,

      he cleaned his teeth quickly in the sparse, green-tiled

      bathroom at the top of the stairs. He popped his blue

      2

      The Light in the Hallway

      toothbrush in the pot next to his wife’s lilac one and

      splashed his face with cold water, patting it dry on the

      hand towel that felt a little stiff to the touch and had a

      vague smell of mould about it. Laundry, yet another task,

      an aspect of ordinary life that had fallen by the wayside

     

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