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    Post-Acid Sunday

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      sort of day that really could go

      either way. We would wriggle back into

      our skin and search for wayward bits

      of psyche that had sloughed off during

      the protracted darkness. The romance of the

      thing should have killed us; for some

      of us, it still tries. I am

      back at ground zero, doggedly

      scouring the ruins for catharsis.

      I trust that it, too,

      will sear my flesh, but

      will it cauterize the wound?

      He(lium)

      For one whose pockets are

      bulging with random chunks of

      wisdom, he is oddly and

      consistently aghast. Repeating everything he

      says no less than three

      times, he tells me that the best

      defense is an early start; that the

      decision inherent in the act of squatting

      is whether to stand again; that ideas

      are like avocados (only a few are

      truly viable); that it’s better to be

      a mandolin than a guitar (for reasons

      of mobility); that it’s better

      yet to be a balloon,

      whose heaviest thoughts are lighter

      than gravity; that what can

      be listed can be tamed.

      Leave-Taking

      She sports an unlikely pair

      of culottes and, less surprisingly,

      a beret. He opens the

      hatch of her Subaru in

      mid-sentence, and the wind

      teases her cropped hair as she loads

      a sticker-bedecked guitar case. Still holding

      his coffee, he then delivers a one-

      armed hug of nevertheless epic proportions. I

      am not envious of him, exactly, or

      even of her, but of the private

      sheet of music crushed between them. All

      around us, the world howls

      for prestissimo, but in the

      stillness of our orbit of

      three, we are breathing in

      whole notes; aspiring to largo.

      “So, You Haven’t Forgotten Me.”

      When I was a boy,

      I detested working on the

      car with my dad, because

      I couldn’t stomach the grease.

      As a teen, I did

      what I had to do to remain

      mobile, with little appreciation. Now a three-

      time father with hopelessly grimy hands, I

      would give anything for a sunny day,

      a broken Chevy and a few hours

      with my stubborn old man. When he

      was born, everything was steel: the autos;

      the men; even the pennies.

      Tonight, driving the only car

      he can hot-wire, he

      delivers his message: “Just speak

      of me in amazement sometimes.”

      Metaphorically Freaking

      I have abused our friendship

      until he is hollow-eyed

      with strain. I arrive for

      visits uninvited and make him

      carry my luggage, though he

      nurses a limp. I yammer at his

      back as we trudge through town, brandishing

      my smudged agenda. He becomes rabid with

      frustration each time we miss the train,

      though I have no real intentions of

      catching it. I seem incapable of giving

      him the rest he deserves, and I

      begin to dread the day

      when he will throw down

      my bags in disgust and

      stalk off without me, leaving

      me utterly and immutably wordless.

      Fan Fare

      No matter how accustomed you

      become to fame, it must

      be surreal to pull into

      town and see your name

      and likeness broadcast on a

      larger-than-life marquee nestled beside the

      highway; to know that countless thousands consider

      your face each day as they drive

      to work, a sterile place where t-shirts

      to commemorate their agenda are neither printed

      nor sold, and no one screams, or

      applauds, or even really notices. Within this

      commuter’s provincial grasp, though, is

      a workaday solitude you could

      never hope to achieve: a

      quiet anonymity for which you

      would gratefully trade your soul.

      Stapler Fodder

      I am wide-ruled paper

      in the hands of a

      suburban third-grader. I begin

      life nestled with my peers

      in a cheerfully-colored, graffiti-

      free notebook. Tuesday finds me partially removed

      at the perforation: torn, to be sure,

      but tidily. On Wednesday we run afoul

      of a marker and flee, only to

      become hopelessly lost in a remote and

      inhospitable corner of a backpack. By Friday,

      my edges grow raw and shamefully uneven

      as I am unceremoniously ripped

      from the spiral. I shed

      tiny fragments on the floor

      and puzzle over the staggering

      difference three letters can make.

      The Unmistakable Prelude

      Nothing can transport me like

      the rasp of a needle

      lowered onto vinyl—the initial

      hiss and subsequent pops as

      it skips onto the first

      track—as if all sounds I’ve ever

      heard are culled from the lead-in

      groove of a circa 1977 LP. In

      this way, the notes of memory are

      seldom sweet and clear, encumbered as they

      are with crackle and a bit of

      pre-echo. This is not a tragedy

      but a mnemonic device; not

      a reflection on the song

      but on the habitually distracted

      nature of the artist, perfectly

      reflected by an imperfect technology.

      Capitol Hill

      By nature and by necessity,

      I am seldom fully present

      in the moment, preoccupied as

      I am with categorizing and

      documenting it, holding fast to

      the creed that as long as the

      words flow, all else is salvageable. This

      afternoon, however, the masking effects of an

      early fall and the mesmer of its

      adornment have snagged my attention and rekindled

      my love for the city, like a

      surprise visit from a favorite grandchild who

      has become a woman overnight,

      unabashedly clad in garments her

      mother once wore. Like water,

      she doesn’t ask, flowing where

      she will, heedless of protests.

      Creatures of Habit

      He scrambles to the same

      window each morning, smudging the

      glass with his snout as

      he watches me leave, but

      I am perplexed by the

      trajectory of his gaze: he always looks

      to the rear of my vehicle. For

      his part, when a thing is behind

      him, it is no longer worthy of

      his attention, but I am not so

      inclined. Does he see something that I

      do not? Do my inhibitions chase me

      for fear of being abandoned?

      Does apprehension cling in earnest

      to the roof rack? My

      mirror is empty, but evasive

      maneuvers may be in order.

      DIY Gone Awry

      He is neither here nor

      there, but so
    mewhere between, habitually

      and with dubious results attempting

      to marry the two using

      adhesives of his own formulation.

      With the slightly unfocused eye of a

      craftsman, he adds colors to his glue,

      many of which do not technically exist.

      Encouraged by the effect, and being at

      heart a man-child hopelessly captivated by

      anything that sparkles, he stirs in glitter

      with abandon. To his dismay, the theory

      does not translate well, and

      the sight of a legion

      of metallic renegades marching haphazardly

      across his studio floor makes

      him want to run. Away.

      Road Trip

      What I seek are not

      words that can be found

      nestled on a shelf alongside

      shot-glasses and magnets at

      a midwestern truck stop, but

      they are souvenirs nevertheless, single-mindedly collected

      on family trips no differently than a

      disaster victim might salvage a small piece

      of wreckage. I squint at the road

      through pitted headlamps, and I know in

      my frame that we are all battered

      relics headed west; that our thoughts and

      ambitions are just dog-eared

      maps in the glove compartment

      of a once-red 1969

      Charger, leaking memories like oil

      on the rapidly receding asphalt.

      A Spin on Isaac's Wheel

      I was born wide-eyed

      and clueless into a world

      liberally dyed in patterns any

      child could appreciate. With little

      transition, a chromatic shift induced

      a rapid decline into biodegradable Amway products

      and butterscotch upholstery; Avon catalogs and avocado

      appliances. Before the tropical neons that followed

      could reach the gaudy pinnacle of their

      reign, the chemically-enhanced red of the

      maraschino cherries in my mother's refrigerator lost

      their savor, and I learned my first

      real lesson in dying: that

      color can be extinguished before

      it has a chance to

      fade, and sometimes the only

      thing left is the leaving.

      The Day I Discovered The Cure

      How could I have lived

      through that period of time

      and never become acquainted with

      the shinier side of their

      art? In truth, I know

      full well the consumptive darkness I nurtured

      with wanton recklessness, but in the light

      of the day the music comes to

      me unadorned, not unlike a boy in

      love, swinging his arms and ambling down

      a carnival boardwalk with a tune on

      his lips and barely a dollar in

      his pocket. I am content

      to watch him from the

      crowd, drowning willingly in the

      sea of good-natured winks

      and knowing smiles around me.

      The Dark Side of Bric-a-Brac

      Darth Vader recently developed the

      unsettling habit of discoursing from

      the floor of the back

      seat with each hard left.

      A ceramic lamp that never

      quite made it to the thrift store,

      he would deliver unsolicited observations in a

      disturbingly un-Vader-like soprano. Unable to

      bear him any longer, I moved him

      to the garage, but his disapproving silence

      over its condition could not be tolerated.

      The last time I saw him, he

      was in the hands of

      a random neighbor boy who,

      now that I think about

      it, has recently had a

      rather pensive air about him.

      The Poetry Nazi

      She is impatiently skimming a

      literary journal on her laptop,

      eyes crossed and ankles slightly

      unfocused, ruthlessly disregarding the essays

      and fiction pieces in her

      search for the few token poems concealed

      amongst the rabble, as if anything with

      uniform margins or more than a few

      words between line breaks is unworthy of

      her attention, and yet when she arrives

      like a weary bookkeeper on holiday at

      a modest island of verse, she presses

      her lips together, shakes her

      head and moves on after

      only a brief perusal, a

      cynical pilgrim who disdains the

      company of her fellow travelers.

      Bringing the Boys Home

      Having completely forgotten the first

      two occasions, I complete a

      third circumnavigation of the lake

      and, unshouldering the disproportionate weight

      of my gear, find myself

      at last in a modest clearing. I

      had intended to fill the space with

      a regiment of well-trained phrases and

      perhaps a few less disciplined stragglers, but

      the frogs and cows have already claimed

      most of the camp. There is little

      choice remaining but to squat by the

      lake, catch bits of their

      ancestral lore as they drift

      over the rise, and calm

      my troops as we await

      our turn at the fire.

      As the Streetlights Wake

      Projected on a flickering sensory

      backdrop redolent of playground noise,

      fickle weather, and urine, an

      almost palpable afterimage narrates the

      sweaty tale of teenagers without

      number that have crept with furtive backward

      glances into this tiny cinderblock restroom, a

      gritty summer sanctuary so laden with memory

      it practically repels further occupation. Desperate for

      privacy at any cost and ignoring the

      unkind rasp of the wall against their

      backs, they would tangle in a brief

      and frenzied mash of lips

      and skin, mentally rehearsing their

      alibis, sampling the dusk with

      their pores as only the

      young and newly awakened can.

      Overheard in the Orchard

      "... which relates back to the

      first imperfection!” Her nine-year-

      old logic is inscrutable, exuberantly

      delivered in the lilting, arm-

      swinging tones of youth, confident

      in the veneration of her captive audience.

      She has already bounced out of sight,

      but I am still reeling as I

      regard the overripe fruit she has so

      casually plunked in my basket (though she

      didn’t know that she was giving, and

      I didn’t know that I was asking).

      Had I realized that personality

      defects bore an anticipated chronology,

      I might have attempted to

      manifest them in the proper

      sequence. Or, more likely, not.

      Sign of the Times

      Rousted by the cops from

      a culvert that morning with

      $4 to his name, he

      still owned his preferences free

      and clear, requesting his burrito

      “minus the beans”. He spoke of how

      his wife gave up on him; how

      his cancer came back; how he lost

      his backpack in a flash flood. I

      don�
    �t know if he’s “gone” or just

      gone, but he’s no longer among the

      wayward throng who cycle through his corner

      like a cheap studio apartment

      in a college town, where

      the students come and go,

      but the trees just nod

      their heads and grow taller.

      Machinations of Flight

      He lives for the oddly

      satisfying chunk emitted by the

      library’s self-check device (and

      the silence that follows). Ever

      the industrious type, he is

      borrowing voluminous tomes on the topic of

      butterflies, a matter of great interest to

      him since they took up permanent residence

      in his chest cavity, apparently not as

      short-lived as their free-range cousins.

      He is to be regarded with the

      same cautious ministrations employed by the conscientious

      lepidopterist, who draws on photographs—

      not corpses—to illustrate his

      subjects, allowing them to resume

      their unsteady migration, eyespots winking

      conspiratorially with each breathless wingbeat.

      August 43rd

      Some might say it is

      bad form to admit to

      another that you had a

      grand adventure together in your

      dreams; that you journeyed without

      passports well beyond the borders of logic

      and propriety. I say, decorum be damned!

      Tonight, we will venture out hand-in-

      hand; speak lightly of weighty matters; ignore

      the deaths of our fathers in order

      to hug them again; place inadvertent low-

      stakes bets in games we don’t fully

      understand; wear purple pants (like

      The Hulk); drink with strangers;

      sing Otis Redding with perfect

      pitch; and breathe through flotation

      noodles until our heartbeats slow.

      # # #

      About the Author

      Born in Kansas City and currently enjoying Colorado's magnificent Front Range, Brett Clay Miller is a locksmith by trade, the father of three, and a lover of words and motorcycles.

     

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