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    Once Upon a Rose

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    she thought.

      Alone once more, she returned her attention

      to the guidebook, increasingly aware of her vast

      ignorance. She had felt strangely compelled

      to write her name in the booklet, a gesture of

      ownership she rarely bothered with. This was her book.

      The thought of someone else walking away with it

      bothered her somehow.

      Scanning the pages, she bit her lip as she

      came across unfamiliar phrases such as "barber

      surgeon" and "liturgical reformation" and terms

      she could only guess were Latin. It was the same

      feeling she'd had when she first read the show business

      trade papers so many years earlier. There was a

      realm of knowledge she never imagined existed. A whole

      universe had prevailed happily without her.

      Something in the guidebook caught her eye,

      tearing her away from her musings. It was a stark

      black-and-white photograph of a massive

      hedge. Leaning closer into the book, hastily

      reaching up to push her tilting headdress back

      into place, Deanie read about a miraculous

      maze on the grounds, one so ornate that people were lost

      in it for hours. It warned tourists to avoid the

      maze if they had theater tickets that evening.

      Deanie grinned. The warning may have been

      tongue-in-cheek, but the effect on her was

      instantaneous. She didn't just have theater

      tickets for that evening; she was to appear at

      Wembley Stadium to sing the duet with

      Bucky Lee Denton during his concert. Her

      manager would have a fit, while Nathan Burns,

      who was filming the concert for an upcoming video,

      would pull out what little hair was remaining on his

      head. To enter the maze at this hour would be more than

      irresponsible. It would be sheer folly, a career

      risk few stars would even contemplate.

      It was absolutely irresistible.

      According to the map, Deanie was within yards of the

      maze, and as she walked in what she hoped was the

      right direction, she continued to scan the booklet.

      The maze was almost as old as the palace itself, the

      guidebook cooed. It had been created for

      Henry VIII'S second wife, Anne

      Boleyn, to remind her of the maze at her

      childhood home of Hever Castle. It had

      taken decades for the hedges to become truly

      inaccessible, and by that time both Anne and Henry had

      returned to dust.

      Deanie peered over the guidebook, and at

      once she spotted the maze. Its rusty

      turnstile was chained, with a hand-lettered sign propped

      on top of the lock with a single word: "Closed."

      How could it be closed?

      With a swift glance over one shoulder to assure

      herself she was alone, she squeezed between the edge of the

      metal turnstile and the rough hedge. Luckily,

      she had spent her childhood gaining free access

      to amusement parks and fairs, and her slender

      build could still wiggle through small spaces.

      The inside of the maze was something of a

      disappointment, although Deanie wasn't sure what

      she had been expecting. There were corridors of

      shrubbery, green and twisting, jutting off in

      unexpected directions. She wandered the maze,

      pausing to touch the knotty, gnarled branches.

      They were thick and coarse, roughened by centuries of

      rain and sunshine and snow.

      Suddenly Deanie stopped, unable to walk any

      farther. The sun was about to set, and she glanced about

      at the incandescent last light, the final golden

      explosion before the day became dusk.

      Something was wrong.

      She held out her hand to steady herself, grasping a

      hoary shrub, ignoring the slivers of wood and

      bark that cut into her skin. The booklet fell

      to her feet, and she gasped for breath, momentarily

      blinded by the sun reflecting off the soda

      bottle. It hit the bottle at odd, sharp

      angles, glinting blue, so vibrant she

      was forced to close her eyes.

      One thought penetrated her consciousness:

      earthquake. Who else but Wilma Dean

      Bailey would get caught in a British

      earthquake?

      The vibration became more intense now, a deep

      baritone rumbling that seemed to ripple the very

      ground, defying the solid feel of the earth. Her

      whole arm began to shake violently, just her arm,

      unable to release the soda bottle. In the midst

      of the quake she opened her eyes and heard a

      hissing noise, like droplets of water on a

      hot frying pan. The rest of her cola

      evaporated, and the peanuts hopped at the bottom

      of the bottle like Mexican jumping beans.

      There was one final roar, a terrible, almost

      human scream. White-blue lines bounced off

      the cola bottle, enveloping her in a pulsating

      prism. Then all was silent.

      Her breath came in harsh, ragged gasps, and the

      soda bottle, suddenly hot to the touch, came

      crashing to the ground. A small puff of dirt

      rose as it landed without shattering. Her hands were

      trembling, and she instinctively clutched her

      throat, feeling the frantic pounding of her heart,

      every beat ringing in her ears.

      She took a few deep breaths, trying to get

      her terror under control. And when she found her

      voice, it wasn't to scream but to laugh at herself.

      She slumped against a bush, its tender branches

      giving way under the weight of her back. Her

      eyes darted to the bottle, and she reached over

      gingerly to pick it up.

      The peanuts were blackened and smoking.

      Deanie inhaled the scent of the burned peanuts,

      as if proving to herself they were really scorched. She

      hadn't imagined it, whatever had just happened.

      "I must have been hit by lightning," she marveled

      aloud, her voice tense and high pitched.

      She closed her eyes for a moment and leaned

      back against the comforting embrace of the shrub. There was

      something wrong, something that didn't seem right. What

      could it be ...

      The bush.

      Her eyes flew open and she spun around,

      ignoring the headdress as it drooped forward.

      Instead of a mammoth, ancient shrub, there was a

      young hedge, only just reaching over her head. Its

      branches were slender and smooth, its buds full

      and pale green.

      All of the bushes were new. Everywhere she

      looked, she saw fresh young plants and could

      smell the unmistakable scent of soil mingled with

      manure.

      "How now, art thou foe or friend of the king's?"

      Deanie gasped, startled by the sudden intrusion.

      She hadn't heard anyone approach. Her first

      thought was of the kindly Mr. Williamson. Perhaps

      he had returned to take her to tea. Perhaps he

      had come to see if she was badly shaken in the

      earthquake. She turned in the direction of the

      rich, masculine voice.

      It was not Mr. Williamson.

    />   She was stunned by what she saw. It wasn't that

      he was inordinately tall, or bulging with

      muscles. The man before her had a magnetic

      presence, an aura that jolted her every bit as much

      as his unexpected voice.

      He was an actor, of course. An extra in

      the video, judging from the costume he wore.

      Unlike Stanley and the other Shakespearean

      actors, this guy's outfit was less

      flamboyant: just a black velvet doublet and

      hose with a full white shirt underneath. At his

      left side was an elegant scabbard, black as

      the doublet, with the ornately carved hilt of a fake

      sword just visible under the folds of his costume.

      There were no gaudy paste-jewels, no fancy

      gold thread. But his stockings seemed a little

      baggy.

      Deanie breathed a sigh of relief and smiled.

      "Hey," she said, her voice still betraying

      uncertainty. "That was some earthquake. Did

      Nathan send you to fetch me? You're one of the

      actors, right? I think you can collect your

      paycheck."

      The man, his gaze steady, drew the sword.

      "How now? Be thou a friend of the king's?" His

      manner was terse, and his teeth, very white, remained

      clenched as he spoke.

      "Me? Heck no. I'm a little young to have known

      the King personally, although I've seen some of his

      later stuff. You know, the Vegas recordings,

      when he wore those white jumpsuits and aviator

      sunglasses."

      Now that her initial fear had vanished, she was

      able to properly appraise the actor, and she

      decided he had most certainly picked the right

      profession.

      He stood about six feet tall, perhaps

      a little less, but his bearing seemed to voraciously

      consume the surrounding space. His hair was close

      to Deanie's in color and thickness, a rich

      mahogany. There was a decided curl to it, and the

      ends rested lightly against his expansive

      shoulders.

      Yet it was his face, more specifically his

      eyes, that gripped her attention. They were a

      strange shade of hazel, dark brown circling the

      irises, and they seemed to see through her, with a sharp

      intelligence that made Deanie feel

      uncomfortable.

      His face was lean, almost gaunt, with hollows in

      the cheeks and a very slight cleft in his chin. His

      forehead, high and smooth, was free of the creases that

      were at the corners of his eyes and bracketed his

      mouth.

      His mouth. Even as he spoke, she pulled her

      gaze from his eyes to his mouth, a mesmerizing

      study in contrasts. The upper lip was rather thin, but the

      lower lip was full and generous, hinting at a hidden

      sensuality that his brusque manner so

      effectively masked.

      He had spoken, and she realized she hadn't

      heard a word he said. She cleared her throat.

      "Excuse me?"

      A look of irritation passed over his

      features. "Canst thou not hear? I quoth, how

      now--"

      "Brown cow?" she replied.

      His eyebrows, unexpectedly lush on a

      face so free of any other excess, rose

      slightly, briefly marring the smooth forehead with

      lines. His sword was still pointed at her, but he

      seemed to have forgotten it.

      Deanie reached out and pushed the sword away.

      The moment she touched the blade, the flesh on her

      palm exploded in pain.

      "Hey, what are you doing!" she cried,

      withdrawing her hand as tears flooded her eyes.

      "Y'all aren't supposed to use real swords."

      Her voice broke as she examined the gash,

      several inches long and bleeding freely.

      From the corner of her eye Deanie saw him

      make a sweeping motion with his arm and heard the

      metallic sound of the sword slipping into its sheath,

      an exasperated sigh escaping his mouth. He

      stepped toward her and tenderly cupped her wounded

      hand in his.

      The last thing on her mind was her hand as

      she felt his warm breath on her cheek. "Doth

      thou know not of weaponry?" Now his voice was soft,

      as if soothing a frightened child.

      Deanie stared at his hand, surprised at how

      such rough, callused fingers could bring such comfort. His

      scent tingled her senses, musky and spicy,

      unlike any bottled fragrance.

      "Your aftershave," she whispered. "It sure

      isn't Brut."

      He turned his eyes to hers. Even in the

      encroaching darkness, they were even more extraordinary

      than from a distance. She could see the distinct

      flecks of sea green and sable brown.

      "I apologize, my lady, if thou doth

      think me a brute."

      With that he ripped the left cuff of his shirt,

      several inches of snowy-white fabric that extended

      from the close black velvet sleeve, and

      fashioned a makeshift bandage.

      "Awe," Deanie said, smiling, "you didn't

      have to go and wreck your costume." He made no

      notice of her comment, intent on tying the bandage

      over her palm. "You know," Deanie added,

      uncomfortable with the silence and his nearness, "that's a

      dandy outfit."

      His eyes flashed to hers, and she sniffed once,

      the tears evaporated. "I mean, it's sort of

      like one Wynonna has." She caught herself. "I

      mean, not that you look like a girl, nothing like that.

      It's just the black velvet and the white, well, you

      know ..." Her voice trailed off and he stepped

      back, as if seeing her for the first time.

      Deanie licked her lips, her mouth suddenly

      gone dry. "Why do you speak all backwards like?

      I mean, stuff like "from where art thou" and all

      that?"

      There was a small pause before he spoke again.

      "From where art thou?" he repeated.

      She closed her eyes, trying to form a reply.

      At last she took a deep breath and opened them.

      "Nashville from am I," she answered

      triumphantly.

      For the first time he smiled at her, an

      expression that transformed his entire face. The

      hollows of his cheeks became elongated

      dimples, and the lines around his eyes crinkled.

      Instead of looking menacing, although admittedly

      attractive, he was accessible and easy.

      Deanie felt a strange, roller-coaster tumble

      in her stomach.

      He reached for her soda bottle and examined

      it, the grin still on his handsome face.

      "Nashville," he repeated, although from his lips the

      word sounded exotic and foreign. He was so close

      that she could see the separate strands of his hair,

      some very dark and coarse, others burnished golden

      by the sun, and a very few gray. Only up close

      were the gray hairs visible.

      His eyes met hers. "Tell me again of your

      king." This time his voice was expressionless, and his

      thumb traced over some writing on the glass. It

      was the copyright
    label and the date the product had

      been bottled.

      "Well, he's dead, of course."

      That caused a reaction. The man stiffened, as

      if not believing her.

      "Hey, are you all right?" The smile faded from

      Deanie's face as she realized he seemed to be

      ill. A sheen of perspiration formed on his forehead,

      reflecting the fading light, and Deanie touched his

      arm.

      He jumped, as if surprised she was still there.

      With admirable aplomb he recovered and pushed his

      palm over his forehead, absentmindedly wiping the

      perspiration on the shoulder of his doublet.

      "Please, tell me again of your king's ...

      glasses." He seemed to struggle for the words.

      "Those ugly aviator things?"

      "Aviator," he breathed. "Aviator."

      She was about to suggest they go to the medical van,

      the emergency vehicle insurance companies demand

      be present at all location shoots. But before she

      could speak, she heard the sound of men's voices

      shouting into the night, footsteps crunching on the

      gravel.

      The actor seemed to snap out of his daze. He

      turned to face her, his expression once again

      clear and direct.

      "I am Christopher Neville, duke of

      Hamilton," he rasped. The intensity in his

      eyes, his searing gaze, prompted Deanie to step

      back, but he gripped her upper arm painfully,

      pulling her closer. "You are my cousin.

      Remember that. You are my cousin, and you are from--"

      "Hey, let me go!"

      "You are my cousin," he repeated more

      emphatically. For a moment he seemed to be thinking

      out loud. "I must somehow explain your speech."

      A flicker of amusement laced his words as he

      pronounced, "You have just arrived from

      Wales."

      "You're crazy," she gasped, genuinely

      alarmed.

      Instead of becoming enraged, or at least

      insulted, she saw his teeth flash white, a

      smile in the darkness.

      "No." She could hear the delighted

      satisfaction in his voice. He grabbed the cola

      bottle and lobbed it into the bushes, where it would be out

      of sight. "You, my dear, are addled. Your

      family has just sent you here in hopes of finding you

      a husband, and you will remain with me at Court

      until--"

      "You just littered," she snapped accusingly.

      "Do you know what the fine for littering a landmark

      is?"

      "Hamilton! Art thou within?" The call came

      from just beyond the shrubs.

      "What is it with you people?" Deanie asked. "This

      backwards talk is driving me nuts."

      Christopher Neville, duke of

      Hamilton, stared at her face for a moment, not

      answering. With a thumb, he gently tilted her

      face toward him. "Art thou painted?"

      "Huh?"

      "Thy face. Be that paint?" He lifted the

      remaining cuff on his other sleeve and, without

      waiting for a reply, scrubbed her face.

      "Hamilton!" This time the cry was more insistent.

      "Aye, within." he responded, removing the

      last traces of mascara and lipstick from her

      face.

      Deanie, who had been too stunned

      to respond, was suddenly infuriated.

      "Hey, you!" she shouted to the unseen voices.

      "There's a nut job in here--one of those damned

      actors Nathan hired. Get me out of here!"

      There were muffled sounds of men conferring, and then, in

      the final light of dusk, Wilma Dean

      Bailey came face-to-face with the rest of the

      mad acting troupe. The man in front was older

      than the rest, perhaps in his fifties or sixties,

      and he carried what looked like an overgrown

      baseball bat. Again, there was some sort of

      shuffling as a new person entered the maze with a

      similar bat, but this one was on fire.

      "Someone, quick!" Deanie cried. "Get the

      extinguisher!"

      But all they did was light the old guy's

      bat. At that point she realized these were

      torches, like at a pep rally. Even in the

      flickering darkness, the men saw her blush

      furiously.

      "Gentlemen," said Christopher Neville in

      a voice smooth enough to announce a game show.

      "May it please you, this is my dear cousin."

      Deanie waved a weak greeting, still mortified

      by her gaffe. How was she to know they actually meant

      to carry flaming sticks?

      "Hey," she said. "I'm Deanie

      Bailey."

      The older man with the torch held it to her face,

      and she flinched, but she had the good grace not to back

      away. The poor guy was probably a fan.

      "Dean of the Bailey?" His voice was

      incredulous. She could see him more clearly now, and

      he sure was an ugly old coot. His teeth were

      yellowed or missing altogether, and his eyes were beady and

      black, peering suspiciously over a large, thin

      nose. Even though he was lacking in the looks

      department, he wore a lavish, fur-lined robe

      and a strange dark velvet hat. All of the men were

      dressed in garish costumes, and someone--Deanie

      wasn't sure who--needed a bath. Badly.

      "My cousin," Christopher repeated, smiling,

      "hath but just arrived from Wales." He then turned

      to the old man with the torch. "Cousin, may I

     

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