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    The Little Book of Life's Wisdom

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      38

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      That night I saw Lebanon dreamlike with the

      eyes of a poet.

      Thus the appearance of things changes

      according to the emotions.

      We see magic and beauty in them, while the

      magic and beauty are really in ourselves.

      L I S T E N I N G T O N AT U R E ’ S L I F E

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      2

      Beauty and the

      Song of Life

      Our life force increases as we bring

      more beauty into our lives, in whatever

      form we appreciate it. Life then moves

      us from within to create beauty and

      share it with others.

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      LIFE’S PURPOSE

      We live only to discover beauty.

      All else is a form of waiting.

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      SINGING

      If you sing of beauty

      though alone in the heart of the desert

      you will have an audience.

      A great singer is he who sings our silences.

      They say the nightingale

      pierces his bosom with a thorn

      when it sings its love song.

      So do we all.

      How else should we sing?

      Genius is but a robin’s song

      at the beginning of a slow spring.

      B E AU T Y A N D T H E S O N G O F L I F E

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      A madman is not less a musician

      than you or myself,

      only the instrument on which he plays

      is a little out of tune.

      When you sing,

      the hungry hear you

      with their stomachs.

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      SECRETS OF THE BEAUTY OF LIFE

      The voice of Khalil the Heretic:

      Vain are the beliefs and teachings that make

      humanity miserable, and false is the goodness

      that leads it into sorrow and despair. For it is

      humanity’s purpose to be happy on this earth

      and lead the way to felicity and preach its gospel

      wherever it goes.

      Those who do not see the kingdom of heaven

      in this life will never see it in the coming life.

      We came not into this life by exile, but we

      came as innocent creatures of God, to learn how

      to worship the holy and eternal spirit and seek

      the hidden secrets within ourselves from the

      beauty of life.

      This is the truth that I have learned from the

      teachings of the Nazarene.

      This is the light that came from within me

      and showed me the dark corners of the convent

      that threatened my life.

      B E AU T Y A N D T H E S O N G O F L I F E

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      This is the deep secret that the beautiful

      valleys and fields revealed to me when I was

      hungry, sitting lonely and weeping under the

      shadow of the trees.

      This is the religion as the convent should

      impart it, as God wished it, as Jesus taught it.

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      THE POET

      He is a link between this

      and the coming world.

      He is a pure spring from which

      all thirsty souls may drink.

      He is a tree watered by the river of beauty,

      bearing fruit that the hungry heart craves.

      He is a nightingale

      soothing the depressed spirit

      with his beautiful melodies.

      He is a white cloud

      appearing over the horizon,

      ascending and growing

      until it fills the face of the sky.

      Then it falls on the flowers

      in the field of Life,

      opening their petals to admit the light.

      B E AU T Y A N D T H E S O N G O F L I F E

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      He is an angel,

      sent by the goddess

      to preach the deity’s gospel.

      He is a brilliant lamp,

      unconquered by darkness

      and inextinguishable by the wind.

      It is filled with oil by Ishtar of Love,

      and lighted by Apollon of Music.

      He is a solitary figure,

      robed in simplicity and kindness.

      He sits upon the lap of Nature

      to draw his inspiration

      and stays up in the silence of the night,

      awaiting the descending of the spirit.

      He is a sower who sows

      the seeds of his heart

      in the prairies of affection,

      and humanity reaps the harvest

      for her nourishment.

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      This is the poet,

      whom the people ignore in this life,

      and who is recognized only when

      he bids the earthly world farewell

      and returns to his arbor in heaven.

      This is the poet,

      who asks naught of humanity

      but a smile.

      This is the poet,

      whose spirit ascends

      and fills the firmament

      with beautiful sayings,

      yet the people deny themselves

      his radiance.

      Until when shall the people remain asleep?

      Until when shall they continue to glorify those

      who attain greatness by moments of advantage?

      How long shall they ignore those

      who enable them to see the beauty of their

      spirit,

      symbol of peace and love?

      B E AU T Y A N D T H E S O N G O F L I F E

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      Until when shall human beings

      honor the dead and forget the living

      who spend their lives encircled in misery

      and who consume themselves

      like burning candles to illuminate the way

      for the ignorant and lead them

      into the path of light?

      Poet, you are the life of this life,

      and you have triumphed over the ages

      despite their severity.

      Poet, you will one day rule the hearts,

      and therefore your kingdom has no ending.

      Poet, examine your crown of thorns.

      You will find concealed in it

      a budding wreath of laurel.

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      ART AND LIFE

      Four poets were sitting around a bowl of punch

      that stood on a table.

      Said the
    first poet, “Methinks I see with

      my third eye the fragrance of this wine hovering

      in space like a cloud of birds in an enchanted

      forest.”

      The second poet raised his head and said,

      “With my inner ear I can hear those mist birds

      singing. And the melody holds my heart, as the

      white rose imprisons the bee within her petals.”

      The third poet closed his eyes and stretched

      his arm upwards, and said, “I touch them with

      my hand. I feel their wings, like the breath of a

      sleeping fairy, brushing against my fingers.”

      Then the fourth poet rose and lifted up the

      bowl, and he said, “Alas, friends! I am too dull of

      sight and of hearing and of touch. I cannot see

      the fragrance of this wine, nor hear its song, nor

      feel the beating of its wings. I perceive but the

      wine itself. Now therefore must I drink it, that

      it may sharpen my senses and raise me to your

      blissful heights.”

      B E AU T Y A N D T H E S O N G O F L I F E

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      And putting the bowl to his lips, he drank

      the punch to the very last drop.

      The three poets, with their mouths open,

      looked at him aghast, and there was a thirsty yet

      un-lyrical hatred in their eyes.

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      PLEASURE IS A FREEDOM SONG

      Pleasure is a freedom song,

      but it is not freedom.

      It is the blossoming of your desires,

      but it is not their fruit.

      It is a depth calling unto a height,

      but it is not the deep nor the high.

      It is the caged taking wing,

      but it is not space encompassed.

      Aye, in very truth,

      pleasure is a freedom song.

      And I fain would have you sing it

      with fullness of heart.

      Yet I would not have you

      lose your hearts

      in the singing.

      B E AU T Y A N D T H E S O N G O F L I F E

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      SINGING

      Go you upon your way with singing,

      but let each song be brief,

      for only the songs that die young upon your lips

      shall live in human hearts.

      Tell a lovely truth in little words,

      but never an ugly truth in any words.

      Tell the maiden whose hair shines in the sun

      that she is the daughter of the morning.

      But if you shall behold the sightless,

      say not to him that he is one with night.

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      BEFORE THE THRONE OF BEAUTY

      One heavy day I ran away from the grim face of

      society and the dizzying clamor of the city and

      directed my weary step to the spacious alley. I

      pursued the beckoning course of the rivulet and

      the musical sounds of the birds until I reached

      a lonely spot where the flowing branches of

      the trees prevented the sun from touching

      the earth.

      I stood there, and it was entertaining to my

      soul—my thirsty soul who had seen naught but

      the mirage of life instead of its sweetness.

      I was engrossed deeply in thought, and my

      spirits were sailing the firmament when a houri,

      wearing a sprig of grapevine that covered part of

      her naked body and a wreath of poppies about

      her golden hair, suddenly appeared to me.

      As she realized my astonishment, she greeted

      me saying, “Fear me not. I am the Nymph of the

      Jungle.”

      “How can beauty like yours be committed

      to live in this place? Please tell me who you are,

      and whence you come?” I asked.

      B E AU T Y A N D T H E S O N G O F L I F E

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      She sat gracefully on the green grass and

      responded, “I am the symbol of Nature! I am the

      ever-virgin your forefathers worshipped, and to

      my honor they erected shrines and temples at

      Baalbek and Jubayl.”

      And I dared say, “But those temples and

      shrines were laid waste and the bones of my

      adoring ancestors became a part of the earth.

      Nothing was left to commemorate their goddess

      save a pitiful few and forgotten pages in the

      book of history.”

      She replied, “Some goddesses live in the lives

      of their worshippers and die in their deaths,

      while some live an eternal and infinite life. My

      life is sustained by the world of Beauty that you

      will see wherever you rest your eyes, and this

      Beauty is Nature itself. It is the beginning of the

      shepherd’s joy among the hills, and a villager’s

      happiness in the fields, and the pleasure of the

      awe-filled tribes between the mountains and

      the plains. This Beauty promotes the wise into

      the throne of Truth.”

      Then I said, “Beauty is a terrible power!”

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      And she retorted, “Human beings fear all

      things, even yourselves. You fear heaven, the

      source of spiritual peace. You fear Nature, the

      haven of rest and tranquility. You fear the God

      of goodness and accuse him of anger, while he

      is full of love and mercy.”

      After a deep silence, mingled with sweet

      dreams, I asked, “Speak to me of that beauty that

      the people interpret and define, each accord-

      ing to their own conception. I have seen her

      honored and worshipped in different ways and

      manners.”

      She answered, “Beauty is that which attracts

      your soul, and that which loves to give and not to

      receive. When you meet Beauty, you feel that the

      hands deep within your inner self are stretched

      forth to bring her into the domain of your heart.

      It is a magnificence combined of sorrow and joy.

      It is the unseen that you see, and the vague that

      you understand, and the mute that you hear—it

      is the Holy of Holies that begins in yourself and

      ends vastly beyond your earthly imagination.”

      B E AU T Y A N D T H E S O N G O F L I F E

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      Then the Nymph of the Jungle approached

      me and laid her scented hands upon my eyes.

      And as she withdrew, I found myself alone in the

      valley. When I returned to the city, whose turbu-

      lence no longer vexed me, I repeated her words:

      “Beauty is that which attracts your soul, and

      that which loves to give and not to receive.”

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      THE FLUTE

      Give me the ney2 and sing

      the secret song of being,

      a song whose echo lasts even

      till existence vanishes.

      Have you, like me,

      chosen the wilderness,

      a house without limitations?

      Have you followed the stream

      and climbed the rocks,

      bathing yourself in their fragrance,

      drying yourself in their light?

      Have you drunk the dawn

      from goblets full of divine air?

      Have you, like me,

      sat down at dusk,

      2. A Persian flute made of a hollow piece of reed or bamboo,

      made famous in Middle Eastern poetry by a reference in the

      opening lines of the Mathnawi, a poetic epic of the 12th-

      century Sufi Jelaluddin Rumi. There Rumi compares the reed

      plucked from the reedbed to make a flute to the soul cut off

      from and longing for Reality that is its home.

      B E AU T Y A N D T H E S O N G O F L I F E

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      amid the glowing languor

      of vines laden with grapes?

      Have you lain down on the grass at night

      and used the sky as your coverlet,

      opening your heart to the future,

      forgetful of the past?

      Give me the ney and sing,

      a song in tune with hearts.

      The sounds of the ney will linger

      beyond ailments and remedies.

      Give me the ney and sing,

      for human beings

      are no more than

      sketches traced in water.

      K A H L I L G I B R A N ’ S L I T T L E B O O K O F L I F E

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      BEAUTY

      And a poet said, “Speak to us of beauty.”

      And Al Mustafa answered:

      Where shall you seek beauty and how shall

      you find her unless she herself be your way and

      your guide?

      And how shall you speak of her except she

      be the weaver of your speech?

      The aggrieved and the injured say, “Beauty is

      kind and gentle. Like a young mother half-shy of

      her own glory she walks among us.”

      And the passionate say, “Nay, beauty is a thing

      of might and dread. Like the tempest she shakes

      the earth beneath us and the sky above us.”

      The tired and the weary say, “Beauty is of

      soft whisperings. She speaks in our spirit. Her

      voice yields to our silences like a faint light that

      quivers in fear of the shadow.”

     

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