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    Queen of the Summer Stars


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      Copyright

      Copyright © 2011 by Persia Woolley

      Cover and internal design © 2011 by Sourcebooks, Inc.

      Cover design by Susan Zucker

      Cover images © The Soul of the Rose, 1908 (oil on canvas), Waterhouse, John William (1849–1917)/Private Collection/By courtesy of Julian Hartnoll/The Bridgeman Art Library; graphxarts/iStockphoto.com; leezsnow/iStockphoto.com; quantum_orange/iStockphoto.com

      Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.

      All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc.

      The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

      Published by Sourcebooks Landmark, an imprint of Sourcebooks, Inc.

      P.O. Box 4410, Naperville, Illinois 60567-4410

      (630) 961-3900

      Fax: (630) 961-2168

      www.sourcebooks.com

      Originally published in 1990 by Poseidon Press.

      Library of Congress Cataloging-in-Publication Data

      Woolley, Persia.

      Queen of the summer stars / by Persia Woolley.

      p. cm.—(The Guinevere trilogy ; bk. 2)

      1. Guenevere, Queen (Legendary character)—Fiction. 2. Arthurian romances—Adaptations. 3. Queens—Great Britain—Fiction. I. Title.

      PS3573.O68Q44 2011

      813’.54—dc22

      2011002337

      Contents

      Front Cover

      Title Page

      Copyright

      King Arthur's Britain

      Cast of Characters

      Preface

      Chapter I

      Chapter II

      Chapter III

      Chapter IV

      Chapter V

      Chapter VI

      Chapter VII

      Chapter VIII

      Chapter IX

      Chapter X

      Chapter XI

      Chapter XII

      Chapter XIII

      Chapter XIV

      Chapter XV

      Chapter XVI

      Chapter XVII

      Chapter XVIII

      Chapter XIX

      Chapter XX

      Chapter XXI

      Chapter XXII

      Chapter XXIII

      Chapter XXIV

      Chapter XXV

      Chapter XXVI

      Chapter XXVII

      Chapter XXVIII

      Chapter XXIX

      Chapter XXX

      Chapter XXXI

      Chapter XXXII

      Chapter XXXIII

      Chapter XXXIV

      Chapter XXXV

      Chapter XXXVI

      Chapter XXXVII

      Chapter XXXVIII

      About the Author

      Back Cover

      To all my mothers—natural, god, in-law, and grand.

      And especially to Irene Higman, from whom I learned how important stepmothering can be.

      Cast of Characters

      House of Pendragon

      Uther—High King of Britain, father of Arthur

      Igraine—wife of Uther, mother of Arthur

      Arthur—King of Logres, High King of Britain

      Guinevere—wife of Arthur

      House of Orkney

      Lot—King of Lothian and the Orkney Isles

      Morgause—daughter of Igraine, half-sister of Arthur, widow of King Lot

      Gawain—son of Morgause

      Gaheris—son of Morgause

      Agravain—son of Morgause

      Gareth—son of Morgause

      Mordred—son of Morgause

      House of Northumbria

      Urien—King of Northumbria, husband of Morgan

      Morgan le Fey—daughter of Igraine, half-sister to Arthur. High Priestess and Lady of the Lake

      Uwain—son of Morgan and Urien

      House of Cornwall

      Mark—King of Cornwall

      Isolde—Mark’s child-bride from Ireland

      Tristan—nephew to Mark

      Dinadan—Tristan’s best friend

      Round Table Fellowship

      Accolon of Gaul—Morgan le Fey’s lover

      Agricola—Roman King of Demetia, mentor to Geraint

      Bedivere—Arthur’s foster-brother and lieutenant

      Bors—cousin of Lancelot

      Cador—Duke of Cornwall

      Cei—Arthur’s foster-brother and Seneschal of the Realm

      Geraint—King of Devon

      Lancelot of the Lake—a Prince of Brittany

      Palomides—slave-born Arab

      Pelleas—lover of Ettard

      Pellam—wounded King of Carbonek

      Pellinore—warlord of the Wrekin

      Lamorak—Pellinore’s eldest son

      Perceval—Pellinore’s youngest son

      Ulfin—Chamberlain to Uther, warrior for Arthur

      Griflet—son of Ulfin, Master of the Kennels

      Women of Camelot

      Augusta—gossipy lady-in-waiting

      Brigit—Irish foster-sister to Guinevere

      Brisane—governess to Elaine of Carbonek

      Elaine of Astolat—slow-witted lady-in-waiting

      Elaine of Carbonek—beautiful daughter of Pellam, very much infatuated with Lancelot

      Enid—sharp-tongued lady-in-waiting

      Ettard—young companion to Igraine

      Lynette—daughter of grounds keeper in London

      Vinnie—Roman matron in charge of ladies-in-waiting

      Various Heads of State

      Vortigern—earlier tyrant, married to Rowena

      Rowena—daughter of invading Saxon, Hengist

      Cerdic—son of Vortigern and Rowena

      Anastasius—Emperor in Constantinople

      Clovis—King of the Franks

      Other Characters

      Beaumains—mysterious student of Lancelot’s

      Cathbad—druid who was Guinevere’s childhood teacher

      Dagonet—Arthur’s Court Jester

      Frieda—Saxon milkmaid, lover of Griflet

      Gwyn of Neath—horsebreeder and builder of the Hall on Glastonbury’s Tor

      Illtud—Prince/warrior who became a monk

      Gildas—student of Illtud

      Paul Aurelian—student of Illtud

      Samson—student of Illtud

      Kevin—Guinevere’s childhood love

      Lucan—Arthur’s gate keeper

      Maelgwn—Guinevere’s cousin, King of Gwynedd

      Merlin—Arthur’s tutor and mentor, the Mage of Britain

      Nimue—priestess and lover of Merlin

      Ragnell—leader of nomadic Ancient Ones

      Riderich—Arthur’s bard

      Taliesin—peasant boy who wants to become a bard

      Wehha the Swede—leader of East Anglian Federates

      Wihtgar—Saxon Federate settler

      Assorted courtiers, pages, musicians, visiting dignitaries, and sprites, according to the reader’s imagination

      Preface

      During the last half of the twentieth century, the authors of novels based on the stories of King Arthu
    r were more or less divided into three categories: those who cast the stories as fantasy, those who see them as “women’s romance,” and those who give them a realistic treatment.

      As readers of my first volume, Child of the Northern Spring, know, I belong to the last group. Although the characters I’m writing about are superstitious, there are no dragons, no magic swords, no whooshing away of islands with a flick of the wrist. There is a place for that kind of sword and sorcery, but it is not in my books.

      Nor have I chosen to focus exclusively on the love stories of the famous legend. Like Malory, I prefer to treat them as an integral part of the different characters’ development rather than as the main point of the story.

      If Arthur and Guinevere lived (and scholars make cases both for and against their actual existence), it would have been during the period following the fall of the Roman Empire—roughly between 450 and 550 A.D. This was a time of tremendous change and upheaval throughout Europe, and nowhere was that more evident than in Britain.

      Archaeologically we see a gradual dying out of Roman culture among the Britons—they would eventually be conquered by the vigorous, often brutal Anglo-Saxon settlers. But the struggle for supremacy went back and forth between these two factions for well over a century, during which time there was a brief but major Celtic revival reflected in grave goods, art, and religion. And in the midst of that there seems to have been a noticeable peace that lasted for several decades prior to the final Saxon incursions.

      It is precisely against this turbulent background that I have set the adventures of the Round Table characters, for legend says that King Arthur led the British forces to victory over the Saxons at the battle of Mt. Badon, after which he reigned for twenty years of peace and prosperity.

      While it is with history that I’ve set the stage, it is from the literature that I’ve taken the characters, remaining as true to the legends as a realistic approach allows.

      The Round Table cast is a fascinating study in human types. Some of the characters have remained pretty much the same over the centuries, such as Tristan, the big young warrior who falls in love with his king’s wife, or Palomides, the Arab knight who is accepted for his honor and bravery but always holds himself slightly apart.

      Others are more complex and have changed over the centuries as the stories have developed. Gawain, for instance, is the knight of greatest courtesy and honor in the earliest stories. But after the medieval romances introduced the Frenchman Lancelot (he was really a Breton), Gawain’s character began to change. Certainly the French versions show him as loutish and hot-tempered, and a decided rake where the women are concerned. I’ve incorporated both aspects and made them part of Gawain’s own growth.

      I have also incorporated actual historical figures—Agricola, Geraint, Mark, and Tristan are all considered by scholars to have been real people. And occasionally I’ve played with archaeological finds, such as the Anastasius Bowl, which was part of the treasure retrieved from the Sutton Hoo ship burial. Although the grave itself dates from the seventh century, it contained a silver bowl clearly marked by a smith during the reign of the Byzantine Emperor Anastasius (491 to 518 A.D.). More than one archaeologist has puzzled over how that elegant bowl came into the possession of the barbaric Swedes who had settled on the edge of East Anglia—and I couldn’t resist working backward through the genealogies in order to have Arthur give it to the first king of that East Anglian dynasty.

      The historical novelist always faces the problem of anachronism and must make the choice between contemporary readability and historical accuracy. In my case I’ve opted for readability, or occasionally for tradition. Therefore all the invading Germanic tribes are referred to as Saxons, though the northern settlers were predominantly Angles, and those in the south included Jutes and Franks as well. Since the Britons themselves called them all Saxons, I note it here strictly for academic accuracy. And while the game of chess probably had not reached Britain by 500 A.D., the tradition of Guinevere playing chess with her abductor is so strong, I chose that game rather than the more prosaic draughts, in part because there is so much symbolism connected to the royal pieces of the chess set.

      One of the great aspects of the Matter of Britain (as the Round Table stories as a whole are called) lies in the fact that it is a living, viable myth that continues to grow. Each new teller of the tale is indebted in some ways to past versions, and I wish to acknowledge my own debt to Mary Stewart, whose Merlin books continue to be my standard of excellence. Not only have I consciously looked to her for style and approach, but I have also built on her concept of Merlin and Nimue in lifting their relationship out of the typical “gold digger” dynamic it had lingered in so long.

      My specific thanks go also to Geoffrey Ashe, whose help and guidance through both the literary and physical landscape verged on the miraculous; to Marion Zimmer Bradley for insights into Morgan le Fey; and to Parke Godwin, who not only allowed me to use the Prydn—a people he created in Firelord—but also helped me develop the character of Ragnell.

      In the area of research I am particularly grateful to Barbara Childs, who put me in touch with Xenophon’s work on horses; Linda Farley of Crossroads Counseling Center for taking the time to educate me in the dynamics of stress following rape; Ted Johanson, who answered my questions on Roman law; and the librarians of the Auburn-Placer County Library for their patience and help in locating odd bits of information on Britain’s flora and fauna. Since she served as overall godmother to the project, I’d like to thank Marian Jordan.

      To all fans who wrote to ask when this second book would be coming out, to the friends and family who have listened patiently to more about Dark Age Britain than they really wanted to know, and particularly to Pete, who keeps telling me it will all be worth it, goes a great big “I couldn’t have done it without you!” I certainly hope you enjoy it.

      Persia Woolley

      Auburn, California

      1986–1989

      Chapter I

      The Summons

      I, Guinevere, wife of King Arthur and High Queen of Britain, dashed around the corner of the chicken coop, arms flying, war whoop filling my throat. The children of the Court were ranged behind me, shouting gleefully as a half-grown piglet skittered across the inner courtyard of the Mansion. The paving stones were slippery from a morning shower and the squealing shoat skidded into the kitchen doorstep before careening off toward the garden.

      “Not again!” I howled, throwing myself on the creature just as a stranger stepped through the door.

      With a flurry of bunched muscles and flailing trotters the porker squirted out of my grasp, leaving me red-faced and breathless. Brushing my hair out of my eyes, I looked up to find a small, mud-spattered priest staring down at me in astonishment.

      “Your Highness?”

      I grinned at the tentative greeting and scrambled back to my feet. Heaven knows what he expected of his High King’s wife, but I was what he got.

      “What can I do for you, Father?” Beyond us the shoat had wiggled through a hole in the fence, followed by the jubilant youngsters who raced across the vegetable patch. I winced as an entire section of cabbages was demolished.

      “I’ve come from the convent, M’lady…where the Queen Mother lies ill…”

      Watching the mayhem in the garden, I was only half listening until I realized his message concerned Igraine. Turning to look at the holy man more closely, I saw for the first time the seriousness of his demeanor. “How ill?” I asked with alarm.

      The man’s voice was husky. “She’s been bedridden for weeks, but it wasn’t until yesterday she agreed to notify you.”

      It was so like Igraine not to make a fuss. Already frail and weak when Arthur and I had married, she’d gracefully declined my suggestion that she stay with us, preferring to return to the convent where she’d retired after Uther’s death. She promised to send word if she needed anything, but this was the first time s
    uch a message had arrived.

      Wiping the mud from my hands, I squinted toward the gate. “Arthur’s off fighting the Irish in Wales. It’ll take days—maybe weeks—to get the news to him.”

      “She didn’t ask for her son, M’lady. She asked for you.”

      I paused at that, wondering if the whole world knew that Arthur and his mother avoided each other. If so, the people made no mention of it, for they loved Igraine in her own right and would say nothing to cause her embarrassment. It was part of the unspoken magic that surrounded her.

      The priest pursed his lips and studied his hands primly. “There is something she wants to tell you and she refuses to confide it to anyone else. So the sooner you can come…”

      “Of course,” I promised, untying my apron and wadding it into a ball. “I’ll leave immediately. Do you wish to stay here in Silchester, or come with me?”

      “I’ve been on the Road for a day and a half, so the rest would be most welcome.”

      I nodded and thrust the apron into his hands before heading for the stables.

      Ulfin was the old warrior who had been left in charge of the houseguard during Arthur’s absence, and he chewed thoughtfully on his lower lip when I told him the news.

      “I’ll see to everything,” he assured me, so I changed into traveling breeches and arranged for Brigit to run the household in my absence while Ulfin gathered a guard of four young men and readied Featherfoot for the journey.

      “The lads I’ve picked are sharp and well trained, M’lady.” He frowned fiercely at the buckle as he secured my things behind the saddle. “But I should like to come with you—’twixt Saxon and Irish prowling the woods, there’s plenty who would be happy to take the High King’s wife hostage while he’s away.” He made the sign against evil before turning to face me. “I was Chamberlain to King Uther and have known Her Highness from the days before she and Uther were married, so I’d like to be there—in case there’s any final service I could provide.”

      The catch in his voice brought home the realization my mother-in-law might be dying. My eyes brimmed with sudden tears and I turned to Uther’s Chamberlain in panic.

      Ulfin put his arm around my shoulder and steadied me with a fatherly embrace.

      “I feel so helpless.” The words squeezed around the lump in my throat. “If only Morgan were here—she’s the one versed in healing. Why, I can’t be of any use if…if…”

     

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