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    The Weight of Water

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      Means something.

      Before we leave, Clair,

      Watching me over his shoulder,

      Kisses him on the side of his mouth.

      I am speechless:

      I am so jealous I want to hurt William.

      Even though he didn’t do the kissing

      I want to pinch him. Or worse.

      I hug myself so I will not harm him

      And so I do not have to hold his hand

      As we walk back

      Across the playground.

      Then he says, ‘So, are we meeting tomorrow?’

      And I forgive him for the kiss.

      Because even if Clair wants him,

      I think

      He wants

      Me.

      Oh, to be Musical

      I wish I knew how to play a complicated musical instrument,

      Like a clarinet maybe,

      Or a flute,

      So I’d have practice using my mouth

      And fingers,

      And taking long breaths,

      All at once

      To create something

      Sweet.

      I have never kissed a boy,

      And even though

      I’ve seen it done

      Day after day

      On television

      And in films,

      So it shouldn’t be too difficult,

      Because the movements are natural

      And smooth,

      I am not a naturally smooth person,

      So how will I know what to do

      When –

      If he leans in with his head slightly tilted?

      Should I tilt too?

      And my mouth.

      Should I open my mouth?

      And my tongue.

      Oh.

      It is too much to think about.

      It will be like playing a clarinet with no lessons;

      It will take me years to learn this –

      How to kiss.

      Floating

      William is at the swimming pool.

      He is standing far away from me

      In the shallow end,

      Ripples sloshing his sides.

      And he is watching me

      As I cast aside my green towel

      And pour myself into the

      Safety of the water.

      We swim to the middle

      To meet each other,

      Then lie on our backs

      The water supporting our weight.

      Sometimes our wrinkled toes touch

      Accidentally.

      Sometimes on purpose.

      And for a moment I think it might be

      The happiest I’ve ever been

      Until Clair surfaces from the deep end,

      Like a serpent from a swamp,

      And wipes away my smile

      By smirking herself.

      Rumours

      Clair sent a text message to Marie,

      And now Marie is

      forwarding it

      to everyone else in Year Eight.

      Except me,

      Because I don’t

      Have a phone.

      Arlene shows me the message:

      Guess what Cassie woz

      doin with Will at the

      swimming pool?!

      SLAG!!!

      Now I’m scared to talk to William,

      Or even look at him,

      In case they think

      It’s true.

      When I go into the cloakroom,

      All the girls from my class

      Stop talking and

      Stand with their

      Arms folded,

      Glaring.

      Clair is there,

      Of course.

      In the middle.

      And she is simply smiling.

      ‘Why won’t you talk to me?’

      William asks at lunch.

      He is frowning

      At the floor.

      I can’t answer.

      I am ashamed

      Of the rumours;

      I want them to stop.

      I want them to stop

      More than I want him

      To kiss me.

      When Boys Fight

      A drove of spectators circles them

      Baying for bruises and blood

      And chanting

      Like football fans

      Or football hooligans –

      Fight. Fight. Fight.

      And no one stops this easy entertainment –

      They just sell more tickets.

      When two boys fight they are like

      Warring walruses:

      They plough into each other

      Thumping and cracking,

      Faces tight, fists curled,

      And they do not stop

      Until there is a winner,

      Until there is no more need to fight.

      Sometimes it cannot end this way.

      If a teacher shows up it ends when they are

      Forced

      apart

      And taken, in all their bloody glory,

      To the headteacher

      Where they are spoken to

      About fighting,

      About using their fists

      To settle squabbles.

      And either way, it seems a better fix

      Than whispers and giggles.

      So maybe what I should do is

      Hit Clair –

      Knock her down

      And we could brawl in the playground too,

      With everyone watching.

      Then people would know

      I’d been in a battle.

      Late Nights

      There is a flu epidemic –

      Old people are sick with feverish coughing,

      So Mama works late; she helps nurses

      Change beds, mop vomit,

      Deliver meals around the wards.

      For a few glorious days

      We don’t search the streets,

      And I am grateful.

      Mama asks Kanoro to watch me.

      We sit on the floor in his room

      Eating meat rolled in flat bread,

      Guzzling tall glasses of cold milk.

      Kanoro remembers stories

      Of elephants and tribal chiefs.

      They are myths and histories

      Meant to entertain,

      They are not his own truths,

      not for me.

      Yet I tell him about William.

      I tell him all about William and the

      Tumblings in my tummy,

      And he nods with a knowing

      That makes me blush.

      And then I speak about Tata,

      Destroy the sugary fiction

      Mama has tried to turn into truth.

      I tell him,

      ‘In Poland there is a saying:

      Running away makes you guilty.

      I am afraid of what we will find,

      Kanoro, if we ever find Tata.’

      And he says,

      ‘I told Ola, I told your mother,

      Do not follow a person

      Who is running away,

      But she will not listen.

      She does not understand.

      She loves your Tata,

      I think.’

      Kanoro shakes his head

      And offers me more peppery lamb

      Which I take and eat,

      Chewing on the gristle

      And swallowing it.

      Life Saver

      We are in an empty swimming pool.

      The water is warm and for some reason

      There is sun on my face.

      I am in the deep end wearing arm bands

      To stop me going under.

      William is there too.

      But he isn’t in the pool.

      He’s in the lifeguard’s chair

      Watching as I struggle to stay afloat.

      Finally he jumps into the pool

      Straight from the chair.

      I’m kicking, sinking, but

      He drags me to the side,

      Up on to the pool’s edge

    &nb
    sp; And gives me mouth to mouth.

      His lips and mine are wet

      As they press together and

      His breath fills me up.

      I don’t need resuscitation

      But he has his hands on my chest

      Between my breasts,

      And he’s pushing and pushing

      Trying to jump-start my heart.

      When I awake I am gasping.

      Then I roll over and see Mama watching.

      She’s bleary-eyed and half asleep

      But even so, I do not want to

      Have dreams like this

      Lying next to my mother.

      Higher

      We are in the park

      On the swings

      But I don’t feel like a little kid

      Because we are not swinging,

      Just swaying.

      William takes out his cigarettes

      And offers me one.

      This time I shake my head – no –

      And he doesn’t care.

      He puts the cigarettes back into the recess

      Of his blazer

      And sways –

      Not forward and back

      But side to side

      On the swing

      So as he comes close

      I can smell him,

      I can smell his chewing gum.

      Then he gets off his swing and starts to push me

      So I am swinging

      Higher and

      Higher.

      And I am laughing because,

      Actually,

      I do feel like a little kid

      After all.

      And I like it.

      Dear William

      I don’t want you to write a poem for me

      But it would be nice if you did.

      And if you bought a rose for me

      It would be OK too

      But I don’t want you to buy flowers

      Necessarily.

      I don’t want you to carry my book bag

      But if you feel like doing that

      Spontaneously

      I wouldn’t stop you.

      I wouldn’t stop you being romantic

      If that’s what you wanted.

      First Kiss

      Oh God.

      Oh God.

      It is so embarrassing

      When he tries to kiss me

      And our faces collide like cars

      In a traffic accident.

      As he leans in

      I open my mouth

      Too

      Wide

      Like a yawn

      And his pursed lips disappear into

      The hollow of my mouth

      So I feel like I am swallowing

      Him.

      He pulls away.

      He looks at me like he

      Is trying to figure out an algebra problem.

      I am too difficult for him.

      When he turns away,

      Because he is embarrassed too,

      I still have my mouth open

      Yawn

      Wide

      But now it’s because I am in shock

      From the accident

      And I can’t close it.

      Assembly

      Why would Clair

      Steal a pair of scissors from the art room

      And then,

      Sitting behind me in assembly,

      Listening to the Head of Year

      Make announcements,

      Cut chunks from my hair?

      I was trying to grow it.

      I was trying to get it right.

      Her stunt makes the others girls

      Tee-hee-hee.

      At least she got some tee-hee

      Titters from it.

      Later Clair apologises,

      Hands back my hair and,

      With big eyes and a sticky pout says,

      ‘Don’t be like that, Cassie,

      Was just a joke. Innit?’

      What kind of joke is this?

      Maybe it’s an English joke

      I can’t yet understand.

      But I suspect I understand

      Perfectly.

      No Offence, But . . .

      I shouldn’t take things the wrong way

      Because they are ‘just joking’

      And they mean ‘no offence’

      And they laugh – ha ha ha –

      Because ‘not really’

      Makes everything they do

      Mean nothing

      At all.

      Wrath

      I will find a way

      To take revenge

      On Clair,

      For the hair –

      And on her whispering friends too.

      I will find a way

      To watch with glee

      As Clair

      Feels despair

      Along with her

      Cheerleaders.

      I can be angry.

      Not always

      Good Kasienka,

      As Mama thinks.

      Teachers

      Why can’t they see what’s happening?

      Why don’t they notice the looks,

      The smirks, the eye-rolling?

      And why don’t they ask if I’m OK?

      I’ll tell them I’m not.

      I’m not a liar.

      Or a slag.

      Why do they always ask Clair

      to pass out the books

      And Marie to read her homework aloud?

      They see what they want

      Because if they didn’t it would be a lot of work,

      And they don’t have time for this;

      They have to mark, and teach, and stop the

      Boys from killing one another

      With their teeth and fists.

      This is more important than spotting snickers.

      But why can’t they just ask if I’m OK?

      Misread

      I don’t want to be secretive.

      Mama and I share a bed.

      Every night it’s her and me together.

      There are just some things

      I can’t say.

      Mama isn’t a good listener.

      Sometimes, when I speak,

      And think I’ve said something,

      Mama hears something else

      Completely.

      And the reaction is unexpected.

      Like last week – I asked for money

      To buy a tube of mascara.

      She raised an eyebrow

      And tapped her tummy.

      I didn’t understand.

      ‘Vulgar girls – always having babies –

      Don’t be one of those, Kasienka.

      Be a good girl.’

      Now someone tell me –

      How can mascara make me pregnant?

      So when I come home with fresh-chopped hair

      I don’t tell her it was Clair in assembly

      Sitting behind me with blunt scissors.

      I tell her the teacher did it.

      I tell her I got gum in it.

      Because Mama won’t understand –

      And she will find a way to blame me.

      The story makes Mama laugh:

      ‘I told you that habit was disgusting.

      But you never listen to Mama!’

      Talking

      Kanoro listens without saying,

      Just ignore it (which I can’t),

      Or, They’re jealous (which isn’t true).

      Instead he nods and says:

      ‘There is no hyena without a friend.’

      And then: ‘What will you do?’

      I like this question. He believes

      I can do

      Something.

      So I tell him about my empty plan

      To get revenge

      On the hyena.

      Kanoro looks sad and says:

      ‘Happiness should be your revenge, Kasienka.

      Happiness.’

      And though he is right,

      It makes me feel worse

      Because I do not know

      How to be happy.

      Part 2

      Gummy B
    ears

      When he tries to kiss me

      I do not open my mouth at all

      And neither does he.

      We kiss,

      Dry lips on dry lips,

      And it is nice.

      But it is not enough

      And I feel my mouth open

      And his too.

      And something that is not my mouth

      Is inside my mouth.

      And it is easy:

      Kissing William is like

      having a Haribo

      In my mouth.

      It is easy.

      Kissing William

      is just like sucking on a gummy bear.

      Partners

      William corrects my English.

      Gently.

      And smiles when I mispronounce things

      Because he thinks the mistakes are cute.

      And for the first time

      Ever

      I can be wrong

      And it’s OK.

      Better than that –

      It’s cute.

      And he thinks I’m clever too,

      And asks for help with his

      Simultaneous equations.

      And when he gets something muddled

      I smile

      Because it’s cute.

     

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