Table of Contents
Acknowledgments
Introduction: Even a Man Who is Pure in Heart . . .
Twilight at the Towers CLIVE BARKER
The Dream of the Wolf SCOTT BRADFIELD
Night Beat RAMSEY CAMPBELL
The Werewolf R. CHETWYND-HAYES
Rain Falls MICHAEL MARSHALL SMITH
Guilty Party STEPHEN LAWS
Essence of the Beast ROBERTA LANNES
Immortal MARK MORRIS
Cry Wolf BASIL COPPER
Rug GRAHAM MASTERTON
The Whisperers HUGH B. CAVE
And I Shall Go in the Devil’s Name DAVID SUTTON
The Foxes of Fascoum PETER TREMAYNE
One Paris Night KARL EDWARD WAGNER
Soul of the Wolf BRIAN MOONEY
The Hairy Ones Shall Dance MANLY WADE WELLMAN
Heart of the Beast ADRIAN COLE
Wereman LES DANIELS
Anything But Your Kind NICHOLAS ROYLE
The Nighthawk DENNIS ETCHISON
The Cell DAVID CASE
Boobs SUZY McKEE CHARNAS
Only the End of the World Again NEIL GAIMAN
Out of the Night, When the Full Moon is Bright . . . KIM NEWMAN
Bright of Moon JO FLETCHER
STEPHEN JONES lives in London, England. He is the winner of three World Fantasy Awards, four Horror Writers Association Bram Stoker Awards and three International Horror Guild Awards as well as being an eighteen-time recipient of the British Fantasy Award and a Hugo Award nominee. A former television producer/director and genre movie publicist and consultant (the first three Hellraiser movies, Night Life, Nightbreed, Split Second, Mind Ripper, Last Gasp etc.), he is the co-editor of Horror: 100 Best Books, Horror: Another 100 Best Books, The Best Horror from Fantasy Tales, Gaslight & Ghosts, Now We Are Sick, H.P. Lovecraft’s Book of Horror, The Anthology of Fantasy & the Supernatural, Secret City: Strange Tales of London, Great Ghost Stories, Tales to Freeze the Blood: More Great Ghost Stories and the Dark Terrors, Dark Voices and Fantasy Tales series. He has written Coraline: A Visual Companion, Stardust: The Visual Companion, Creepshows: The Illustrated Stephen King Movie Guide, The Essential Monster Movie Guide, The Illustrated Vampire Movie Guide, The Illustrated Dinosaur Movie Guide, The Illustrated Frankenstein Movie Guide and The Illustrated Werewolf Movie Guide, and compiled The Mammoth Book of Best New Horror series, The Mammoth Book of Terror, The Mammoth Book of Vampires, The Mammoth Book of Zombies, The Mammoth Book of Werewolves, The Mammoth Book of Frankenstein, The Mammoth Book of Dracula, The Mammoth Book of Vampire Stories By Women, The Mammoth Book of New Terror, The Mammoth Book of Monsters, Shadows Over Innsmouth, Weird Shadows Over Innsmouth, Dark Detectives, Dancing with the Dark, Dark of the Night, White of the Moon, Keep Out the Night, By Moonlight Only, Don’t Turn Out the Light, H.P. Lovecraft’s Book of the Supernatural, Travellers in Darkness, Summer Chills, Exorcisms and Ecstasies by Karl Edward Wagner, The Vampire Stories of R. Chetwynd-Hayes, Phantoms and Fiends and Frights and Fancies by R. Chetwynd-Hayes, James Herbert: By Horror Haunted, Basil Copper: A Life in Books, Necronomicon: The Best Weird Tales of H.P. Lovecraft, The Complete Chronicles of Conan by Robert E. Howard, The Emperor of Dreams: The Lost Worlds of Clark Ashton Smith, Sea-Kings of Mars and Otherworldly Stories by Leigh Brackett, The Mark of the Beast and Other Fantastical Tales by Rudyard Kipling, Clive Barker’s A-Z of Horror, Clive Barker’s Shadows in Eden, Clive Barker’s The Nightbreed Chronicles and the Hellraiser Chronicles. He was a Guest of Honour at the 2002 World Fantasy Convention in Minneapolis, Minnesota, and the 2004 World Horror Convention in Phoenix, Arizona. You can visit his website at www.stephenjoneseditor.com.
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First published in the UK as The Mammoth Book of Werewolves by Robinson,
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CONTENTS
Acknowledgments
Introduction: Even a Man Who is Pure in Heart . . .
Twilight at the Towers
CLIVE BARKER
The Dream of the Wolf
SCOTT BRADFIELD
Night Beat
RAMSEY CAMPBELL
The Werewolf
R. CHETWYND-HAYES
Rain Falls
MICHAEL MARSHALL SMITH
Guilty Party
STEPHEN LAWS
Essence of the Beast
ROBERTA LANNES
Immortal
MARK MORRIS
Cry Wolf
BASIL COPPER
Rug
GRAHAM MASTERTON
The Whisperers
HUGH B. CAVE
And I Shall Go in the Devil’s Name
DAVID SUTTON
The Foxes of Fascoum
PETER TREMAYNE
One Paris Night
KARL EDWARD WAGNER
Soul of the Wolf
BRIAN MOONEY
The Hairy Ones Shall Dance
MANLY WADE WELLMAN
Heart of the Beast
ADRIAN COLE
Wereman
LES DANIELS
Anything But Your Kind
NICHOLAS ROYLE
The Nighthawk
DENNIS ETCHISON
The Cell
DAVID CASE
Boobs
SUZY McKEE CHARNAS
Only the End of the World Again
NEIL GAIMAN
Out of the Night, When the Full Moon is Bright . . .
KIM NEWMAN
Bright of Moon
JO FLETCHER
ACKNOWLEDGMENTS
My thanks to Neil Gaiman, Jo Fletcher, Kim Newman, Brian Mooney, David Pringle, Dorothy Lumley and Pete Duncan for their help and advice.
“Introduction: Even a Man Who is Pure in Heart . . .” copyright © Stephen Jones 1994, 2009.
“Twilight at the Towers” copyright © Clive Barker 1985. Originally published in Books of Blood Volume 6. Reprinted by permission of the author.
“The Dream of the Wolf” copyright © Scott Bradfield 1984. Originally published in Interzone 10, Winter 1984/85. Reprinted by permission of the author.
“Night Beat” copyright © Ramsey Campbell 1973. Originally published in The Haunt of Horror, No. 1, June 1973. Reprinted by permission of the author.
“The Werewolf” copyright © R. Chetwynd-Hayes 1975. Originally published in The 4th Armada Monster Book (as by Angus Campbell). Reprinted by permission of the author.
“Rain Falls” copyright © Michael Marshall Smith 1994.
“Guilty Party” copyright © Stephen Laws 1988. Originally published in Fear No. 2, September-October 1988. Reprinted by permission of the author.
“Essence of the Beast” copyright © Roberta Lannes 1994.
“Immortal” copyright © Mark Morris 1994.
“Cry Wolf” copyright © Basil Copper 1974. Originally published in Vampires, Werewolves & Others. Reprinted by permission of the author.
“Rug” copyright © Graham Masterton 1994.
“The Whisperers” copyright © Hugh B. Cave 1994. Originally published in slightly different form in Spicy Mystery Stories, April 1942. Copyright © Carcosa 1977. Reprinted by permission of the author and the author’s agent.
“And I Shall Go in the Devil’s Name” copyright © David Sutton 1994.
“The Foxes of Fascoum” copyright © Peter Tremayne 1994.
“One Paris Night” copyright © Karl Edward Wagner 1992. Originally published in Grails: Quests, Visitations and Other Occurrences. Reprinted by permission of the author.
“Soul of the Wolf” copyright © Brian Mooney 1994.
“The Hairy Ones Shall Dance” by Manly Wade Wellman copyright © the Popular Fiction Publishing Company 1938. Originally published in Weird Tales, January, February and March, 1938. Reprinted by permission of the author’s executor, David Drake.
“Heart of the Beast” copyright © Adrian Cole 1994.
“Wereman” copyright © Les Daniels 1990. Originally published as “By the Light of the Silvery Moon” in Borderlands. Reprinted by permission of the author.
“Anything But Your Kind” copyright © Nicholas Royle 1994.
“The Nighthawk” copyright © Dennis Etchison 1982. Originally published in slightly different form in Shadows. Copyright © Charles L. Grant 1978. Reprinted by permission of the author.
“The Cell” copyright © David Case 1969. Originally published in The Cell (and Other Stories). Reprinted by permission of the author.
“Boobs” copyright © Suzy McKee Charnas 1989, 1990. Originally published in slightly different form in Isaac Asimov’s Science Fiction Magazine, Vol. 13, No. 7, July 1989. Reprinted by permission of the author.
“Only the End of the World Again” copyright © Neil Gaiman 1994. Originally published in Shadows Over Innsmouth. Reprinted by permission of the author.
“Out of the Night, When the Full Moon is Bright . . .” copyright © Kim Newman 1994.
“Bright of Moon” copyright © Jo Fletcher 1994.
For Mike and Jan who,
I hope, will never change . . .
Introduction
EVEN A MAN WHO IS PURE IN HEART . . .
Lycanthropes . . . Shapechangers . . . Loups-Garous . . . Werewolves . . . the men (and sometimes women) who hide beneath the mask of the Beast, and the Beasts who kill with the tortured soul of Man. Of all horror’s pantheon of great monsters (the vampire, the zombie, the Frankenstein creature), the werewolf is perhaps the most tragic. Condemned (usually through no fault of their own) to metamorphose during the phases of the full moon into bestial killers who destroy the ones they love, werewolves exemplify the classic dichotomy of Good versus Evil which, since the publication of Robert Louis Stevenson’s The Strange Case of Dr Jekyll & Mr Hyde in 1886, lies at the core of most great modern horror fiction.
Like its stablemate, the vampire, the werewolf has also been successfully adapted into numerous novel-length works: from such classics as Jessie Douglas Kerruish’s The Undying Monster (1922), Guy Endore’s The Werewolf of Paris (1933), Jack Williamson’s Darker Than You Think (1948), Whitley Strieber’s The Wolfen (1978) and Stephen King’s Cycle of the Werewolf (1985), to more recent incarnations like Brian Stableford’s Werewolves of London (1990), Michael Cadnum’s Saint Peter’s Wolf (1991), Alice Borchardt’s The Silver Wolf (1998), Kelly Armstrong’s Bitten (2001) and Carrie Vaughn’s werewolf romance Kitty and the Midnight Hour (2005) and its popular sequels.
The movies were also not slow to capitalize upon the public’s fascination with shapechangers, and among the earliest versions of the myth are the 1913 Canadian two-reeler The Werewolf (loosely based on Henry Beaugrand’s story “The Werewolves�
��) and the silent French feature Le Loup-Garou (1923).
Hollywood finally got into the act with The Werewolf of London (1935), which utilised Oliver Onions’ 1929 story “The Master of the House” and starred Henry Hull as the cursed scientist. Six years later the same studio, Universal, introduced Lon Chaney Jr’s doomed Lawrence Talbot in The Wolf Man (1941), and the character went on to meet Frankenstein, Dracula, and various mad doctors, before ending up as a foil for the comedy duo Abbott and Costello at the decade’s end. Far more interesting during this period were producer Val Lewton’s low-budget classics, The Cat People (1942) and its semi-sequel, The Curse of the Cat People (1944), which explored their own implied brand of lycanthropy.
Over the years cinema audiences have been subjected to countless variations on the theme, including The Undying Monster (1942, adapted from Jessie Douglas Kerruish’s 1922 novel), I Was a Teenage Werewolf (1957), Werewolf in a Girls’ Dormitory (1961), The Curse of the Werewolf (1961, based on Endore’s book), Werewolves on Wheels (1971), The Werewolf of Washington (1973), Legend of the Werewolf (1974), The Howling (1980, from the novel by Gary Brander) and its various direct-to-video sequels, An American Werewolf in London (1981), The Wolfen (1981), Silver Bullet (1985), Teen Wolf (1985) and Wolf (1994), right up to more recent entries in the genre such as Ginger Snaps (2000) and its sequels, Dog Soldiers (2001), the Underworld (2003) series, Wes Craven’s Cursed (2005) and Universal’s remake of The Wolf Man (2009) starring Benicio Del Toro and Anthony Hopkins.
As always, it is in the literature of short fiction where the werewolf has flourished. However, unlike my previous Mammoth anthologies (Terror, Vampires and Zombies), this volume marks something of a departure from my usual criteria of presenting a mixture of favourite reprints and newer stories, with a greater emphasis this time on original tales. You will still discover classic novellas from the pulp era like Manly Wade Wellman’s “The Hairy Ones Shall Dance” and “The Whisperers” by Hugh B. Cave along with such modern masterpieces as David Case’s “The Cell”, Clive Barker’s “Twilight at the Towers”, the award-winning “Boobs” by Suzy McKee Charnas and, new to this printing, Neil Gaiman’s revisionist reworking of the original Wolf Man, Lawrence Talbot, as a private detective battling Lovecraftian Deep Ones in “Only the End of the World Again”.